![]() ![]() Top 100 artists by average gross revenues received per show and top 75 artists by average number of tickets sold Trailing 30-day total interactions on Instagramĭata for live shows is provided by Pollstar, which ranks the. ![]() Trailing four-week digital song streams.Trailing 30-day ticket sales for live shows.Trailing three-month gross revenues from live shows.Source: Pollstar, Spotify, Nielsen Music/MRC, CrowdTangle and YouTubeĭesign, development and data by Christopher Cannon, Julian Burgess and Alex McIntyre.īloomberg ranked the world’s most influential pop stars based on six criteria: “Even if a movie is a bit crap, if he’s composed it, I’ll still listen to the score,” she said.Ĭorrects Phil Hope’s title in the 12th paragraph These days, MacNaught frequently listens to Zimmer’s soundtracks not only while in the car but also while focusing at work and while preparing to go to sleep. After seeing the show in Manchester, MacNaught said she’s already bought tickets for her and Oliver for next year. In 2024, Zimmer will tour across Europe again. For his part, prolific movie composer John Williams ( Star Wars, Harry Potter, Jurassic Park) has over 4 million. On Spotify, Zimmer maintains over 9 million monthly listeners while Elfman reaches over 2 million. The live success is also translating to streaming. Zimmer got his start playing with the band The Buggles, which was the first group to air a music video on MTV (trivia alert: It was Video Killed The Radio Star). “And that many of them now come from an original background of being in bands, which gives them an additional flair for showmanship and a love of a live audience.” “I think it’s a mixture of the top film composers really being the popular classical music artists of today,” he wrote in an emailed comment. But Phil Hope, founder and partner of Multimedia Music, an acquirer of film and TV music rights, said he is not surprised. Last year, American film composer Danny Elfman played Coachella shirtless and rocked out to tracks from Edward Scissorhands and The Simpsons’ theme song, both of which he wrote.Īt first blush, the notion that composers best known for their screen scores could also sell out major arenas can seem a little far-fetched. Zimmer is among the pantheon of top film composers who are reaching new generations of fans, in part, by adapting their works to the stage and heading out on the road. “The way they cut between the musicians, the transitions between them, it is really well done visually.” “The show was mind-blowing,” said Ahmed Taha, a fan who first fell for Zimmer’s music thanks to the movie Interstellar. ![]() During a performance in London, Zimmer proposed to his partner onstage. There are also occasional surprise flourishes. He travels with a 38-piece orchestra and band, dazzling lights, a gigantic disco ball and two large screens, showing not just band members at work but also imagery connected to the films, and he himself interjects between tracks with various behind-the-scenes stories. Zimmer’s show isn’t what you might imagine. ![]()
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